Strange Darling

In a pick-up van clearly looking for a one-night stand The lady (Willa Fitzgerald) asks the man (Kyle Gallner) if he’s a serial killer?

Over six chapters presented in a non-linear sequence the viewer gets their answer, and then some. Strange Darling is an astonishing piece of work from writer and director JT Mollner, as he juggles the expectations of the viewer with the ordeals he puts his characters through.

Through chases on foot and in a car, communes in the forest, interaction with an elderly couple, Mollner continually develops the story, as well as deflects, changing perspectives that manipulate the viewer, but keeping them on board for every second of the film.

There are questions about consent, misogyny and violence cleverly interlaced into the story yet never coming over as didactic, beautifully written, and then played by the leads, working perfectly within the fabric of the film.

Its wonderfully filmed using the natural light of the forest as well the ultra-stylisation of neon lighting. The latter gives Strange Darling at times an 80’s sleazy, retro grindhouse appearance.

These images are enhanced by a balanced sound design as well a superb soundtrack by Z Berg, with the songs and music carefully placed for maximum effect.

Strange Darling has a complex structure, which requires some work of the viewer. And also the actors who change what could appear to be on a sixpence. The editing here is excellent nevertheless Fitzgerald and Gallner are superb playing two already deeply troubled people dealing with their demons and then the situation that they’ve plunged themselves into.

Strange Darling received its international premiere a London Pigeon Shrine FrightFest August 2024.