Fjord

Fjord is a precise drama that leaves the impression of feeling uncomfortable and tense within your own mindset and thought processes, presenting certain theories and beliefs that never provide you with a legitimate correct answer or suggesting a correct opinion. Mungiu has masterfully challenged our individual understanding of morality, especially surrounding parenting techniques and religious practices, allowing for compelling arguments on both sides. Fjord explores conflict between religious conservatism and social liberalism, questioning whether society has become too accustomed to judging certain social, religious and other groups through its own moral standards, forgetting that everyone has differing opinions and cultural perspectives, ways of living and values.

At its heart is the nature of disagreement and whether certain moral standpoints within religion and cultures deserve respect despite not agreeing to the fullest extent. Compassion and empathy within modern society is brought into conversation, further highlighting how both can be overshadowed and lost within today's divided social climate. Mungiu’s carefully constructed narrative shows that you are consistently encouraged to never side with one party. Do I fully agree with the religious parents? No. Do I fully agree with the justice system? No, but that is okay and is precisely what makes Fjord so compelling. Every character's choices are powered by righteousness, protecting their values and what they consider to be correct, with the boundaries between selfishness, power and morality, having its lines blurred.

Before the film’s release, Sebastian Stan posed the question: “When did conversation become so wrong?” This feels like the central purpose of Fjord’s creation. We each individually grow up with our own personal religious beliefs and social economical perspectives, yet humanity fails to ponder that we will all think differently. Films such as Fjord that challenge our minds are essential to the growth of society, encouraging uncomfortable conversations that would be brought up day to day.

Visually, the cinematography beautifully captures Norway’s chilling atmosphere, with its isolated landscapes reflecting the emotional and ideological divisions between individuals. Sebastian Stan and Renate Reinsve deliver powerhouse performances, being able to balance emotional vulnerability with traits that can make them feel distant and far away from their relatable emotions.

Fjord is uncomfortable. Thought-provoking and an important piece of cinema that refuses to give answers to use easily.